Topakoğlu Mansion

Anasayfa / Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion
Topakoğlu Mansion

Proje Detayları

Tarihi:

24-03-2026

Kategori:

Cultural Assets

mansions

Ekleyen:

epika_admin

Topakoğlu Mansion

Although there is different information about the person who built the mansion, which is estimated to have been built in the second half of the 19th century, it is thought that this person was Papa Danil. The mansion took its name from the surname of the family that settled in the house some time after the population exchange. The mansion, which was originally designed as a house, has now been expropriated by the Ministry of Culture and Tourism. It consists of two floors and two buildings.

In the basement and ground floors of the mansion, there are various rock-carved spaces such as a wine grape and a linseed oil mill. On the north side of the mansion, which has an open courtyard, there are entrance doors that can be reached through a two-storey portico arrangement. In addition to the floral decorations on the floor moldings of the western building and the stone consoles consisting of oyster motifs, the lace-like stone carvings surrounding the windows attract attention. The walls of the mansion, made with masonry technique, are made of stone; Wooden materials were originally used for doors, ceilings and windows.

The pictures of old-style pistols, rifles and daggers above the upper floor door entrance of the mansion are striking. One of the two paintings inside the building is on the northwest wall of the main room facing the street, on the surface between the window and the attic eaves. A European city view of unknown location is depicted here. The other painting is a coastal view located in an ornamented niche on the south wall opposite this painting. The red curtain design descending from the dome of the niche gives the viewer the impression of looking through a window. In this form, the painting seems to reflect the dream of someone who lives in Mustafapaşa and longs for the sea.

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